Sizzla Kalonji on European tour Promoting Ghetto Youth-Ology Album

Thursday, October 22, 2009

Sizzla Kalonji and The Fire House Band, are currently on a ten-week European tour promoting the album, Ghetto Youth-Ology. Already one week into the tour, Sizzla and the crew have performed in the cities of Rotterdam, Geneva, and Groningen with over thirty more shows to go in Germany, Sweden, Holland, Denmark, Norway, Italy, and France.

According to reports, the Reggae crusader has been receiving rave reviews from the press in those areas. It is further reported that venues were packed to capacity with show goers representing all nationalities, genders, and religions sharing the music and love of this artiste. The rich sounds from The Fire House Band have the crowds excited and enjoying the music.
Sizzla… ‘my songs represent the cries from the youth in the ghetto’

According to Sizzla, his songs represent the cries from the youth in the ghetto who continue to be marginalised and ignored by many.

Sizzla takes the time to cater to the needs of his hungry European fans by pulling from his catalogue of over 50 albums to include songs like Black Woman and Child, Thank You Mama, Woman I Need You and others. He even sings Beautiful, a song described by Chris Blackwell as brilliant and a masterpiece. Sizzla Kalonji gives the people a special treat, which includes the newest European favorite Crucial Times, featured on his upcoming album to be released later this year.

JamaicaObserver.com


… Best Regards and RASpect !!!!

Respectfully,

Alexander Bonilla Silva
RAW # 1222
Reggae Promoter / DJ (Radio & Club)
abonilla@reggaecolombia.com
http://www.reggaecolombia.com/
http://www.reggaeambassadors.org/
http://www.myspace.com/reggaecolombia
http://reggaecolombia.wordpress.com/

Postal Mail:
Alexander Bonilla Silva
Barrio Los Caracoles
Manzana 21 Lote 7 (2ª Etapa)
Cartagena De Indias, Bolivar, Colombia
Tel: 00(575) 6670788
Mob:00(57) 311 689 16 30

Jah Cure Gives Europe An Autumn Surprise!
Friday October 23- Kingston Jamaica

Jah CureInternational reggae superstar and Danger Zone/SoBe Entertainment recording artiste Jah Cure is now in Europe ready to commence a multi-city tour. The tour will begin on October 22 in Switzerland and ends in Paris on November 2 with stops in Germany, Portugal and Belgium.

While it’s not usual for a Reggae artiste to be touring Europe in the autumn, such is the pull of Jah Cure. The singer who is in Europe with his new band An.Ti.Dote has had a significant presence on the charts in Jamaica and the Caribbean since the start of the year and Europe has been calling. Della Danger, CEO of Danger Zone Records says the tour is important: “Since our last tour we have been receiving numerous requests to return as there were some places that we did not get to go the last time. Jah Cure is really popular all over Europe and we thought the year should not end without his fans on that side of the world having a chance to see him.

The tour will see Jah Cure performing in five countries from The Netherlands in the North to Portugal in the south. Jah Cure is very excited about the tour: “It is wonderful that I can again get the chance to spread the message of love and peace throughout Europe. This year has been a good year for me and this tour is my autumn surprise for my European fans” – Danger Zone/SoBe Entertainment recording artiste Jah Cure.

Last year Jah Cure performed to rave reviews at the Rototom Festival at Rivellino Park in Osoppo Italy, while also making sold out stops in Germany, France, Sweden, Denmark, Holland and many other European cities. This year The Cure will again bring his unique brand of reggae music to the masses. Jah Cure’s autumn surprise consists of a new band, a slew of new hits and a constant message of love; with songs like Call on Me, You’ll Never Find, Hot Long Time and many others this tour will definitely be a success.

JAH CURE’S TOUR SCHEDULE

European Dates

Oct 23 – Zuirch, Switzerland

Oct 24 – Lisbon, Portugal

Oct 27 – Munich, Germany

Oct 28 – Berlin, Germany

Oct 30 – Mannheim, Germany

Oct 31 – Amsterdam, Holland

Nov 1 – Ghent, Belgium

Nov 2 – Paris, France

Nesta
ALYKHAT PR
Mobile Jamaica:876-866-5874
Email: AlykhatPR@gmail.com
http://alykhat.blogspot.com
www.myspace.com/alykhat


… Best Regards and RASpect !!!!

Respectfully,

Alexander Bonilla Silva
RAW # 1222
Reggae Promoter / DJ (Radio & Club)
abonilla@reggaecolombia.com
http://www.reggaecolombia.com/
http://www.reggaeambassadors.org/
http://www.myspace.com/reggaecolombia
http://reggaecolombia.wordpress.com/

Postal Mail:
Alexander Bonilla Silva
Barrio Los Caracoles
Manzana 21 Lote 7 (2ª Etapa)
Cartagena De Indias, Bolivar, Colombia
Tel: 00(575) 6670788
Mob:00(57) 311 689 16 30

Chino, McGregors star in documentary – National Geographic films Jamaican music, culture
Krista Henry, Staff Reporter

Chino

Chino

Deejay Chino and the rest of the McGregor family will be making their film debut as they play a leading role in an upcoming documentary on Jamaican music and culture titled The Music Nomad – Made in Jamaica.

Set to air locally on CVM in October and then on National Geographic, PBS and Comcast, as well as being featured in Island Magazine, The Music Nomad -Made in Jamaica is a joint project between National Geographic and Wisynco.

Chris Hardy, Coca-Cola’s brand manager, explained to THE STAR, “We have a partnership with National Geographic as they cover the music of Jamaica. They approached us as they thought while covering the music, we could get an opportunity to have product placement in the coverage. After meeting with the production team ofNational Geographic, it was easy for Wisynco to come on-board with Ocean Spray and Coke Zero.”

natural vibe

He continued, “Chino is a Coke Zero artiste and his story lends to one we believe would make good TV. Chino being the son of Freddie McGregor and brother to both Yeshemabeth and Stephen ‘di Genius’ McGregor,it was an easy sell.National Geographic wanted to capture them at home in their natural vibe to see how they interact as a family.”

Contacted while he was in Europe on tour for the project, Chino plays the part of tour guide, showing the team his personality as well as the natural vibe at home at the Big Ship studio.

“I feel honoured to land such a gig becauseI watchNational Geographic a lot and it will be aired to over 160 million viewers internationally. I think the documentary will help people to see the more natural and positive aspect of Jamaica and Jamaicans, as opposed to the typical negativity usually being documented,” Chino said.

The McGregor clan (from left): Chino, Stephen, Shema and dad Freddie. - File

The McGregor clan (from left): Chino, Stephen, Shema and dad Freddie. - File

For Chino, he also believes this will be a boost for his career saying, “I’m hoping this film will introduce me to a wider audience and add to my growing fan base. As for my image, I think it will highlight me as somewhat of an ambassador, making a positive step for both the country and the music that’s often overshadowed by negativity.”

truly talented

According to Hardy, the McGregors were easy to work with and he sees a bright future for them in music.

“The history of Freddie and the work being put in by Chino and Stephen will guarantee them a place in the future. What I want to add is the admiration we at Coca-Cola have for Chino’s talent and work ethics. He is truly talented and is also very humble. Having him on-board the Coke Zero project in Jamaica has added to the brand success and as such we will definitely work with him in the future. Great things are in store for Chino and we will be there to support him every step of the way,” Hardy said.

The McGregor family is still on tour which ends with Irie Jamboree in September in New York. As soon as he arrives back in Jamaica, it will be all about work for the young star who plans to shoot a video for From Mawning. He also has new singles out including Pon Yuh Head, Nutten At All on the Coke Zero rhythm as well as Bring It Come and more singles. He also has plans to release two upcoming albums, one in Japan later this year and the other for the US early next year.

Krista Henry, Staff Reporter


… Best Regards and RASpect !!!!

Respectfully,

Alexander Bonilla Silva
RAW # 1222
Reggae Promoter / DJ (Radio & Club)
abonilla@reggaecolombia.com
http://www.reggaecolombia.com/
http://www.reggaeambassadors.org/
http://www.myspace.com/reggaecolombia
http://reggaecolombia.wordpress.com/

Postal Mail:
Alexander Bonilla Silva
Barrio Los Caracoles
Manzana 21 Lote 7 (2ª Etapa)
Cartagena De Indias, Bolivar, Colombia
Tel: 00(575) 6670788
Mob:00(57) 311 689 16 30

Music fraternity mourns the loss of one half of ‘Steely and Clevie’ duo
Steely hailed as ‘unique great soldier of reggae music’
By Yasmine Peru,
Entertainment editor
peruy@jamaicaobserver.com
Wednesday, September 02, 2009

The reggae music fraternity across the globe is mourning the loss of pioneering dancehall producer/musician Wycleffe ‘Steely’ Johnson, one half of the famous duo, Steely and Clevie. Steely, who was in critical condition at a New York hospital, died yesterday morning. Doctors say he was suffering from pneumonia after having recovered from kidney complications in December last year.

The dancehall duo of Cleveland Clevie Browne (left) and the late Wycleffe Steely Johnson in happier days.

The dancehall duo of Cleveland 'Clevie' Browne (left) and the late Wycleffe 'Steely' Johnson in happier days.

Long recognised as a trailblazer in the dancehall genre, Steely was well loved among his peers and proved an enduring influence on the lives of the many artistes with whom he came in contact. Such was his impact that one selector, Dwayne McKay, who was born and raised in Brooklyn and is of Trinidadian and Jamaican parentage, took on the moniker ‘Steelie Bashment’ after his idol Steely, who himself was a sound system selector on his popular Silver Hawk sound.

Upon hearing of his passing, Minister of Youth, Sports and Culture Olivia Grange hailed him as one of the “true innovators in the development of Jamaica’s Dancehall music”.

In a release, Grange stated, “Jamaica has lost another brilliant musician, but we must give thanks for Steely’s creativity and abundance of talent which enriched our music immeasurably.”

The New York-based VP Records, with whom Steely and Clevie had a long association, stated in their release that Steely was “truly unique”.

“Wycleffe ‘Steely’ Johnson was not only one of the pioneers of Reggae, but also a gentleman in every sense of the word, and he has departed from us today after three decades of his groundbreaking music talents with Jamaican and international artistes. He will be sadly missed by all those who knew him, either personally or through his music.”

Steelie started his career as the original keyboard player with the Roots Radix Band which backed singers Gregory Isaacs, Bunny Wailer and numerous other artistes both on tour and in the recording studio. He is listed as one of the pioneers of dancehall, but certainly not limited to this genre. Steely and Clevie have worked together for 30 years with domestic and international artistes of many styles with great success.

International dancehall act, Sean Paul, who recently released his fourth studio album, Imperial Blaze, is among the many who have sent condolences to the family, friends and fans of this dancehall heavyweight.

“He taught Jamaica, the world and me in particular a lot about music, and helped to nurture dancehall music into a genre that kids still enjoy today. May his soul rest in peace, a great soldier of Reggae Music.”

Steelie and Clevie worked closely with Sean Paul producing the hit track Coxsone Dodd remastered (I’m Still in love with You) featuring Sasha.

Another artiste, Screechie Joe, paid tribute to Steely as “the best producer I have ever worked with and the best riddim man”.

Joe, who deejay Lady G notes was “one of Steely’s best friends”, was full of grief when the Observer spoke to him yesterday. “I enjoyed working with him. I have been around him from the 80s till he built a sound called Silver Hawk. I used to do dubplates and specials for Steely,” the artiste recalled. “Now he is gone.”

Lady G and Nadine Sutherland, like many others, recalled Steely as a perfectionist who took his craft seriously. “My song, Starvation In the Land was one of the first songs Steely worked on. I was 11 years old and I can remember being so impressed with him then . and throughout the years that has not changed,” Nadine said.

Among the first to send condolences was Bounty Killer and his Alliance family. “Steely’s works shaped the modern sound of digital dancehall and his contribution to Jamaican music is immeasurable. His energy and effervescent character will be missed at studio sessions and on corners across Kingston and around the world,” Bounty stated.

During the mid 70s to early 80s, the duo also played on several hit recordings for various producers and their extensive discography includes Dawn Penn’s 1992 rendition of No, No, No. In 1988, Steely and Clevie officially cemented their musical marriage and later launched their Studio 2000 label which spawned numerous hit songs for a slew of artistes, securing them slots on charts worldwide, including Billboard.

Steely and Clevie have worked with No Doubt, Billy Ocean, Back Street Boys, Heavy D & The Boyz, Buju Banton, Capleton, Maxi Priest, Jimmy Cliff, Gregory Isaacs, Shabba Ranks, Beenie Man, Mr
Vegas, Bounty Killer, Elephant Man, Freddie McGregor, Dennis Brown, Lady Saw, Barrington Levy to name a few.

His musical partner, Cleveland ‘Clevie’ Browne, could not be reached for comment.

Funeral and memorial arrangements will be announced.


… Best Regards and RASpect !!!!

Respectfully,

Alexander Bonilla Silva
RAW # 1222
Reggae Promoter / DJ (Radio & Club)
abonilla@reggaecolombia.com
http://www.reggaecolombia.com/
http://www.reggaeambassadors.org/
http://www.myspace.com/reggaecolombia
http://reggaecolombia.wordpress.com/

Postal Mail:
Alexander Bonilla Silva
Barrio Los Caracoles
Manzana 21 Lote 7 (2ª Etapa)
Cartagena De Indias, Bolivar, Colombia
Tel: 00(575) 6670788
Mob:00(57) 311 689 16 30

Producing whiz makes ’steely’ exit
Published: Wednesday | September 2, 2009
Howard Campbell, Gleaner Writer

 Wycliffe Steely Johnson

Wycliffe 'Steely' Johnson

Wycliffe ‘Steely’ Johnson, half of the influential production duo Steely and Clevie, has died. The keyboardist, who was in his early 50s, passed away in a New York City hospital yesterday morning.

The Gleaner has learnt that Johnson suffered heart failure around 5 a.m. yesterday and died at 10:32 a.m. at Brookhaven Memorial Hospital in Long Island, New York.

His medical problems began last December when he was being treated for kidney failure at the University Hospital of the West Indies. He went to New York for further medical treatment, where it was discovered he had a benign tumour on his brain the size of an orange. It was successfully removed at Brookhaven but he later contracted pneumonia.

Johnson also suffered from diabetes.

STUDIO MUSICIAN

Although the Trench Town-born Johnson was best known for creating some of dancehall’s biggest techno jams of the 1980s and 1990s with drummer Cleveland Browne, he started his career as a studio musician.

He worked with several producers, including Augustus Pablo, and was a founding member of the Roots Radics studio band for producer Henry ‘Junjo’ Lawes, owner of the Volcano label.

Johnson and Browne became an official unit during the 1980s, after playing on Bob Marley and the Wailers’ Confrontation album. They were members of producer Lloyd ‘King Jammys’ James red-hot team that played on a flood of hit songs by Admiral Bailey, Shabba Ranks and Nitty Gritty.

While they were one of the most in-demand producers in 1990s dancehall, Steely and Clevie said one of their most cherished projects was a Studio One tribute album they recorded in 1992.

The set featured covers of 10 songs from the legendary studio. One of them, Dawn Penn’s No, No, No, became an international hit two years after the album was released by Heartbeat Records and resurrected the career of Penn, who first recorded the song at Studio One in 1969.

“The first song I played on a piano was No, No, No. I always wanted to do the song, it’s something Clevie and I premeditated for years,” he said in a 2001 interview.

The following year, the duo hit it big again when their production of Sean Paul and Sasha’s I’m Still In Love With You entered Billboard magazine’s pop chart. The song was originally done in the 1960s by Alton Ellis and his sister Hortense.

Culture Minister Olivia Grange paid tribute to Johnson, saying in a statement, “Jamaica has lost another brilliant musician but we must give thanks for Steely’s creativity and abundance of talent which enriched our music immeasurably.”

Producing whiz makes ’steely’ exit
Published: Wednesday | September 2, 2009
Howard Campbell, Gleaner Writer


… Best Regards and RASpect !!!!

Respectfully,

Alexander Bonilla Silva
RAW # 1222
Reggae Promoter / DJ (Radio & Club)
abonilla@reggaecolombia.com
http://www.reggaecolombia.com/
http://www.reggaeambassadors.org/
http://www.myspace.com/reggaecolombia
http://reggaecolombia.wordpress.com/

Postal Mail:
Alexander Bonilla Silva
Barrio Los Caracoles
Manzana 21 Lote 7 (2ª Etapa)
Cartagena De Indias, Bolivar, Colombia
Tel: 00(575) 6670788
Mob:00(57) 311 689 16 30

Tributes to ‘Steely’
by Roxroy McLean
Published: Wednesday | September 2, 2009

steely_and_clevie
Wycliffe ‘Steely’ Johnson worked with a wide range of artistes and musicians throughout his career. Following his death yesterday, some of his colleagues shared their sentiments with The Gleaner.

Mike Bennett: “It’s really been a rough two weeks for musicians in Jamaica. It’s just one of the unfortunate reminders of our mortality. I’m really shaken up, to tell the truth. Trust me, I’m kind of confused in my senses.
“I have done a lot of work with him. There was a passion about him; he could turn every session into a pleasing set. He was special. He set a tone and was one of the pioneers in that small circle called the studio.”

Elephant Man: “Jah know star I feel touched. To me ‘Steely’ a one of di greatest, plus we were brethren. He was one of the first big-time producers who gave me a hit song when I was in Scare Dem. He saw the talent in me.”

Bounty Killer: “Steely’s works shaped the modern sound of digital dancehall and his contribution to Jamaican music is immeasurable. His energy and effervescent character will be missed at studio sessions and on corners across Kingston and around the world.”

Frankie Campbell: “His career that spanned 30-something years was quite successful. Technically speaking, they (Steely and Clevie) are among the top production teams ever in the history of Jamaica. And I think Sly and Robbie and themselves would be the top two. “Back in the 1980s, they revolutionised the sound of dancehall music and they basically produced 90 per cent of the music recorded those days. So that in itself shows what they have done. They changed the sound of dancehall as one of the first to computerise the music. They have written themselves in the history book
of Jamaican music.”

Sean Paul: “He taught Jamaica, the world and me in particular a lot about music, and helped to nurture dancehall music into a genre that kids still enjoy today. May his soul rest in peace, a great soldier of reggae music.”

- Roxroy McLean
http://www.jamaica-gleaner.com/


… Best Regards and RASpect !!!!

Respectfully,

Alexander Bonilla Silva
RAW # 1222
Reggae Promoter / DJ (Radio & Club)
abonilla@reggaecolombia.com
http://www.reggaecolombia.com/
http://www.reggaeambassadors.org/
http://www.myspace.com/reggaecolombia
http://reggaecolombia.wordpress.com/

Postal Mail:
Alexander Bonilla Silva
Barrio Los Caracoles
Manzana 21 Lote 7 (2ª Etapa)
Cartagena De Indias, Bolivar, Colombia
Tel: 00(575) 6670788
Mob:00(57) 311 689 16 30

Wycliffe “Steely” Johnson Died In NY Hospital
Written by Tamoyo Campbel
Tuesday, 01 September 2009 – 00:00

Steely & Clevie

Steely & Clevie


FiWEH.com has learnt that Wycliffe Johnson better known as Steely passed away today in a NY hospital. Just a few days ago, a media report indicated that he was suffering from pneumonia and was in critical condition at a New York hospital. His long-time musical partner Clevie Brownie had reportedly said that the chance of his survival was slim; and so it was. Condolences to the family, friends and associates of one of the most outstanding and influential producers of dancehall music ever.

He started his musical journey as a keyboard player for Sugar Minott’s Youth Man Promotion in the late 70’s. Steely and Clevie first played together in the 70’s at Lee “Scratch” Perry’s Black Arts Studio, then by 1986 they were working at King Jammy’s Studio. Steely & Clevie launched their own label during the mid-eighties when Jammy’s was the center of the new sound in reggae music (computer based rhythms).

During the reign of Jammy’s during the mid-eighties Steely and Clevie composed a large majority of the instrumentals for Jammy’s label. The production duo worked with some of the biggest names in Reggae and Dancehall music from two time Grammy winner Shabba Ranks, Maxi Priest, Tiger, Foxy Brown (Jamaican 80’s singer) Bounty Killer, Beenie Man, Cocoa Tea, and Dennis Brown etc. Steely and Clevie continued to make hits in the 90’s creating the super popular Street Sweeper, Ice Pick, Bitter Blood and Bad Weather Rhythms. Steely and Clevie are the composers of the undeniably the most popular dancehall instrumental known as the “Punnany Riddim” which was produced by King Jammy. This instrumental has been sampled and re-used more than any other Dancehall track.

Wycliffe “Steely” Johnson contribution towards Jamaica’s music and culture is priceless. He has helped to create what we now enjoy as Dancehall music and made way for the new generation of Dancehall/Reggae music producers. With more than three decades of solid hits Steely has an enviable repertoire and is a true legend of Jamaican music.

RIP STEELIE

Gone but not forgotten


… Best Regards and RASpect !!!!

Respectfully,

Alexander Bonilla Silva
RAW # 1222
Reggae Promoter / DJ (Radio & Club)
abonilla@reggaecolombia.com
http://www.reggaecolombia.com/
http://www.reggaeambassadors.org/
http://www.myspace.com/reggaecolombia
http://reggaecolombia.wordpress.com/

Postal Mail:
Alexander Bonilla Silva
Barrio Los Caracoles
Manzana 21 Lote 7 (2ª Etapa)
Cartagena De Indias, Bolivar, Colombia
Tel: 00(575) 6670788
Mob:00(57) 311 689 16 30

Life soon sort out
MONDAY MUSING
Yasmine Peru
Monday, August 31, 2009

Despite the Gully & Alliance/Gaza war, the newly unleashed lyrical battle between King of Flossing Flippa Mafia and Elephant Man, and the Macka Diamond/Unicorn eruption, there’s still that needed breath of fresh air blowing through the music industry. Happily it’s coming from the youngsters.

G WHIZZ... Gwaan work fi you lickle till you lickle turn nuff

G WHIZZ... Gwaan work fi you lickle till you lickle turn nuff

Ringing out in between a slew of money tunes are two singles which should be named in any top five pick for Song of the Year. They are Life by newcomer G Whizz and Never Change by Chino McGregor. Both songs are already anthems in and out of the dancehall and are enjoying steady rotation on radio and on the lips of the masses. (Who say dancehall people don’t know good tune?) The message, the music, the lyrics and the conviction of the artistes all combine to make that winning formula.

G Whizz speaks directly to the ghetto youth urging them not to “bad mind nobody” because, as the song promises, “life soon sort out”. Gwaan work fi you lickle till you lickle turn nuff, no bother be no cruff . believe me. ghetto youth full a talent and you know we muss buss, G Whizz declares convincingly.

His constant references to ‘mama’ speak volumes:
“Mama tell me say, just gwaan hold a meds, no mek nobody trick you and a full up you head.Mama teach me fi never give up all when the road rocky and the dutty get rough/ And me tell you say, Mama me nah be nuh cruff.

G Whizz states, “This song is the people’s anthem. something like Jimmy Cliff song. I am encouraged to continue doing positive music.”

CHINO... from mawning, we a hustle and put we all in

CHINO... from mawning, we a hustle and put we all in

The other song, Chino McGregor’s Never Change, is just as inspiring and equally popular. It has already raced up several charts locally. Produced by Big Ship – his father Freddy, younger brother Stephen and himself – Never Change hits the right notes. “We haffi rich so Stephen go mix this beat over this vocal,” Chino declares in the song emphasising the value of hard work. “From mawning, we a hustle and put we all in when we work we nuh pree nuh stalling . from mawning, yeah a so we stay . we never ever change.”

And, while we listen out for more great songs from these talented young artistes, we continue to sing, “. me nah worry, my life soon happy.”


… Best Regards and RASpect !!!!

Respectfully,

Alexander Bonilla Silva
RAW # 1222
Reggae Promoter / DJ (Radio & Club)
abonilla@reggaecolombia.com
http://www.reggaecolombia.com/
http://www.reggaeambassadors.org/
http://www.myspace.com/reggaecolombia
http://reggaecolombia.wordpress.com/

Postal Mail:
Alexander Bonilla Silva
Barrio Los Caracoles
Manzana 21 Lote 7 (2ª Etapa)
Cartagena De Indias, Bolivar, Colombia
Tel: 00(575) 6670788
Mob:00(57) 311 689 16 30

Chino’s song compared to Motown classic
Star Entertainment

Chino - Winston Sill

Chino - Winston Sill

Dancehall artiste Chino has been on tour for more than two months now, but that has not impeded his local success. In fact, his string of hit songs have continued to create havoc in the dancehalls, on the radio and on local and international charts.

So successful are they that as recent as last week, Never Change (From Mawning) held the numberone spot on the RETV charts and was at the number four spot on the Zip FM Dancehall line-up, while Protected held the number one spot on Zip FM’s Reggae line-up.

In addition to all that, Chino’s landmark hit, Never Change (From Mawning) was hailed by London’s BBC 1XTRA as a dancehall equivalent to any of Motown’s classic pieces andas “a breath of fresh air for Jamaican music”.

Chino, whose correct name is Daniel McGregor, says, “I have been travelling so much because of the tour and I haven’t been in Jamaica to actively promote the songs. So to hear that they are dominating so many charts, not only in Jamaica but also abroad, and the people are still requesting the songs, is such an honour to me. I never underestimate the power of good music
and that’s what I always try to do, good music. The fans don’t deserve anything less than that. So I’m honoured and at the same time motivated to do more.”

Chino and the remainder of the Big Ship family return to Jamaica in mid-September.

Chino McGregor


… Best Regards and RASpect !!!!

Respectfully,

Alexander Bonilla Silva
RAW # 1222
Reggae Promoter / DJ (Radio & Club)
abonilla@reggaecolombia.com
http://www.reggaecolombia.com/
http://www.reggaeambassadors.org/
http://www.myspace.com/reggaecolombia
http://reggaecolombia.wordpress.com/

Postal Mail:
Alexander Bonilla Silva
Barrio Los Caracoles
Manzana 21 Lote 7 (2ª Etapa)
Cartagena De Indias, Bolivar, Colombia
Tel: 00(575) 6670788
Mob:00(57) 311 689 16 30

Reggae Beyond Bob Marley
By Matthew Moyer — Library Journal, 06/15/2009

Bob Marley

It’s a given that your reggae music collection should include a couple of Bob Marley & The Wailers albums, but then what? What of those artists who, though lesser known, were just as influential as Marley in the development of reggae?

Chant Down Babylon

Reggae grew out of ska and rocksteady in 1960s Jamaica as tempos sped up, song structures loosened up, and the organ shuffle, drums, and bass moved to the fore. With the 1968 release of the Maytals’ “Do the Reggay,” the genre was immortalized.

In the early 1970s, vocal groups like Burning Spear and The Abyssinians and like-minded deejays brought their Rastafarian beliefs and political consciousness into Jamaican mainstream culture, spurring a renaissance of roots reggae. Running parallel to this subgenre was dub, a sticky, echoey morass of deconstructed, manipulated songs emphasizing the space between notes instead of the notes themselves.

Reggae then took across the seas, thanks largely to the iconic 1972 film The Harder They Come, starring Jimmy Cliff. Major record labels began signing roots reggae acts, among them The Wailers, with a young Bob Marley, who helped further to spread the sound worldwide.

By the time of Marley’s 1981 death, roots reggae had faded in popularity. While groups like Steel Pulse and Black Uhuru worked to keep the flame alive, a new wave of producers and singers—e.g., Yellowman and Shabba Ranks—ditched the roots polemic for party/sex rhymes and used digital rhythms instead of the traditional backing band, turning out the deejay-as-superstar subgenre of dancehall.

Then, in the late 1990s, performers like Luciano and Sizzla embraced Rasta spirituality, setting a new tone that harkened back to roots reggae while not shying away from modern sounds.

The best reggae can have the proselytizing fury of Bob Dylan and Phil Ochs or the bonkers experimental tendencies of your most outré underground music; it can also have mass popular appeal. Whatever form it takes, it’s here for the long haul.

Trenchtown Rock

Reggae is considered more of a singles phenomenon than an albums phenomenon. Occasionally, it’s better to invest in a compilation, which will give a long view of an artist’s development, than to stick with just one album. However, there are epochal and cohesive albums out there, and with this chronologically ordered list, I’ve tried to strike the correct balance. There are a number of new young reggae performers emerging from Jamaica—e.g., Mavado and Etana—so if the more classic material goes over well, it might be worthwhile to investigate their albums as well.

- Jimmy Cliff. The Harder They Come. Island. 1972. UPC 7-31458-61582-8.
Cliff’s soundtrack to the film of the same name brought roots reggae to the world’s attention.

- Big Youth. Screaming Target. Sanctuary. 1973. UPC 0-60768-05532-2.
Big Youth ruled the dancehalls with his outrageous toasting style.

- Burning Spear. Marcus Garvey/Garvey’s Ghost. Mango. 1975. UPC 0-16253-93772-7.
This landmark roots album, full of eloquent Rasta teachings and fiery emotion, was a real game changer in Jamaica.

- Augustus Pablo. King Tubbys Meets Rockers Uptown. Shanachie. 1976. UPC 0-16351-45592-5.
A definitive instrumental dub album, all haunting melodies and wide-open spaces.

- Peter Tosh. Legalize It. Sony. 1976. UPC 0-74646-59222-9.
Ex-Wailer/Marley creative foil Tosh’s edgy, blazing solo debut found a receptive rock audience.

- Culture. Two Sevens Clash. Shanachie. 1978. UPC 0-16351-45652-6.
Spirituality was the lyrical and thematic focus of this apocalyptic album, but the musicianship and execution were progressive.

- Buju Banton. ‘Til Shiloh. Island. 1995. UPC 7-31458-68542-5.
Banton helped kick-start roots revival and returned live instrumentation to dancehall.

- Lee “Scratch” Perry. Arkology. Island. 1997. UPC 7-31452-43792-1.
Perry shaped both dub and roots through his collaborative work at Black Ark Studios; his solo work is equally as insane and visionary.

Author Information: Matthew Moyer, Reference Librarian, Popular Media Department, Jacksonville Public Library, FL, also blogs Music for the Masses at www.libraryjournal.com.


… Best Regards and RASpect !!!!

Respectfully,

Alexander Bonilla Silva
RAW # 1222
Reggae Promoter / DJ (Radio & Club)
abonilla@reggaecolombia.com
http://www.reggaecolombia.com/
http://www.reggaeambassadors.org/
http://www.myspace.com/reggaecolombia
http://reggaecolombia.wordpress.com/

Postal Mail:
Alexander Bonilla Silva
Barrio Los Caracoles
Manzana 21 Lote 7 (2ª Etapa)
Cartagena De Indias, Bolivar, Colombia
Tel: 00(575) 6670788
Mob:00(57) 311 689 16 30

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